Tuhfat Al-Atfal a Poem that describes the recitation on the Quran

The primary characteristic referenced right now hams, which is the distinction between the principal quality determined in the past line, Jahr.

Hams intends to murmur. Its applied definition is the streaming of the breath while articulating these letters. The letters of hams are ten and found in the blend of breath streams so easily in these letters is on the grounds that the reliance of these letters upon their Quran makhraj tajweed sonnet is powerless, which permits the breath to stream. Hence, these letters are smoother in their elocution in correlation with their contrary letters which have Jahr.

Something contrary to hams is Jahr, which implies brilliant or boisterous. Its applied definition is the detainment of breath while articulating these letters. The letters of Jahr are all the unused letters of the Arabic letter set other than the ten letters of hams.

The motivation behind why breath is detained in these letters is that they have a solid conviction upon their makhraj, which doesn't permit the breath to stream. Thusly these letters are generally stronger than in the letters of hams. The following property referenced is shiddah, Tuhfat Al Atfal which is the turn around of the subsequent quality determined in the primary line, rikhwah, tuhfat al atfal.

Shiddah really implies quality. Its applied definition is that the sound is detained while proclaiming these letters. Its letters are found in the request. The explanation that the sound is detained is because of the safe association of these letters upon their makhraj.

Something contrary to shiddah is rikhwah or rakhāwah. It implies delicate quality. The sound streams while announcing Tohfat Al-Atfal.

the letters of rikhwah. The reason for why sound streams when denoting these letters is a direct result of the frail reliance of these letters upon their makhraj.

In the second 50% of this line, the letters are examined. Which truly intends to raise. In this way, Ibn al jazariyyah alludes to them as the seven raised letters that are inverse to the third characteristic referenced in the mainline, istifāl. Its applied definition is the ascending of the back part of the tongue while articulating these letters.

Because of the back segment of the tongue rising, these letters are perused with a full/thick stable Called tafkhīm.

Its backward is istifāl, which truly intends to lower. Its actualized definition is the point at which the back piece of the tongue doesn't rise however rather lays profound when articulating these letters. It is found in all the letters alongside the letters of isti˘lā'. Because of the back bit of the tongue keeping out of sight, these letters are tended to with a level/slight sound (tarqīq).